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-- My transcription of dance-relevant passages from the NYPL Mid-Manhattan Research Library's copy of Nicholas Faret's The Honest Man: or, the Art to Please in Court, translated 1632, a French courtly handbook. --
As concessions to Dreamweaver and web compatibility,
double spaces between sentences have been reduced to
single spaces, certain irregularities of spacing and
punctuation for margin justification have been regularised,
and the ∫/s
is modernised
except in titles. The ' ------
' denotes page breaks. Obviously this does not replicate
the look or type face of the original... but I've done
my best! --E. F. Winerock - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - THE Par le Sieur FARET. Containing,
however, some Precepts necessary to __________________________________ BIRMINGHAM
: - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Of the DISPOSITION of the BODY. WITH
all these Advantages of Birth - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Occasions,
and gain the Esteem, and after If * [ long footnote on Israelites,
Egyptians, - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - If it might be, our Courtier
should not only (pp. 12-14) |
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Copyright
© 1999-2008 E. F. Winerock
Updated 17 March, 2008 |